Philip Kindred Dick
 

(16. 12. 1928 - 2. 3. 1982)


1963 Hugo Award for "The Man in the High Castle"
1967 British Science Fiction Award for "The Three Stigmata of Palmer Eldritch"
1975 John W. Campbell Memorial Award for "Flow My Tears, The Policeman Said"
1979 British Science Fiction Award for "A Scanner Darkly"


One of the real sci-fi giants, the American author Philip K. Dick, using his own extraordinary personal experiences, did not define reality clearly in his works and pictured power of the brain, alternate histories, parallel worlds, religion, metaphysics and even the human love in extremely dark settings. 

"The nightly visions continued, often taking the form of incredibly complex dreams which Phil (i.e. Philip K. Dick) saw at once were unlike his usual sleeping habits. He called them "tutelary" dreams because of their information-rich content. In many he was actually shown texts, which he was able to read and transcribe their contents upon awakening. This is another kabbalistic tradition, the ability to read holy texts on the astral plane. Always for Phil, the pink beam of light was prominent.
Admittedly, the idea one is being shot with a beam of energy is typical to many schizophrenics. So are the discarnate voices which haunted Phil's unplugged radio at night, telling him how terrible a person he was (his then-wife Tessa heard them too). The one difference here is that Phil perceived it as a healing light rather than a further descent into madness. He credited it with taking charge of his life, recovering a lot of income due from unpaid book royalties, and even re-margining his typewriter. He never decided what the beam's source really was. Guesses included the Rosicrucian Society, Soviet scientists experimenting with "psychotronics", and an alien satellite orbiting a distant star. One message came from the "Portuguese States of America", leading Phil to contemplate the possibility of parallel universes. He also thought it might have been God."
(Paul Rydeen: "Philip K. Dick: The Other Side")


"Phil explained, "I finally found out who I really am: there are countless parallel universes. But one thing is constant in all of them: every world has its Philip K. Dick.""
(Jim Bauer: "Philip K. Dick is Dead (No, No, He's in Cold-Pak, Looking Out)")




a quotation from "The Man in the High Castle"


""Don't you feel it?" he kidded her. "The historicity?"
She said, "What is historicity?"
"When a thing has history in it. Listen. One of those two Zippo lighters was in Franklin D. Roosevelt's pocket when he was assassinated. And one wasn't. One has historicity, a hell of a lot of it. As much as any object ever had. And one has nothing. Can you feel it?" He nudged her. "You can't. You can't tell which is which....""
(Philip K. Dick: "The Man in the High Castle")

 With due interest, Mr. Tagomi took time to examine in his own hands several of the pieces. Yes, there is something new which animates these, he decided. The Law of Tao is borne out, here; when yin lies everywhere, the first stirring of light is suddenly alive in the darkest depths. . . we are all familiar; we have seen it happen before, as I see it here now. And yet for me they are just scraps. I cannot become rapt, as Mr. R. Childan, here. Unfortunately, for both of us. But that is the case.
 "Quite lovely," he murmured, laying down the pieces. Mr. Childan said in a forceful voice, "Sir, it does not occur at once."
 "Pardon?"
 "The new view in your heart."
 "You are converted," Mr. Tagomi said. "I wish I could be. I am not." He bowed.
 "Another time," Mr. Childan said, accompanying him to the entrance of the store; he made no move to display any alternative items, Mr. Tagomi noticed.
 "Your certitude is in questionable taste," Mr. Tagomi said. "It seems to press untowardly."
 Mr. Childan did not cringe. "Forgive me," he said. "But I am correct. I sense accurately in these the contracted germ of the future."
 "So be it," Mr. Tagomi said. "But your Anglo-Saxon fanaticism does not appeal to me." Nonetheless, he felt a certain renewal of hope. His own hope, in himself, "Good day." He bowed. "I will see you again one of these days. We can perhaps examine your prophecy."
 Mr. Childan bowed, saying nothing.
 Carrying his briefcase, with the Colt .44 within, Mr. Tagomi departed. I go out as I came in, he reflected. Still seeking. Still without what I need if I am to return to the world.
 What if I had bought one of those odd, indistinct items? Kept it, reexamined, contemplated. . . would I have subsequently, through it, found my way back? I doubt it.
 Those are for him, not me.
 And yet, even if one person finds his way. . . that means there is a Way. Even if I personally fail to reach it.
 I envy him.
 Turning, Mr. Tagomi started back toward the store. There in the doorway, stood Mr. Childan regarding him. He had not gone back in.
 "Sir," Mr. Tagomi said, "I will buy one of those, whichever you select. I have no faith, but I am currently grasping at straws." He followed Mr. Childan through the store once more, to the glass case. "I do not believe. I will carry it about with me, looking at it at regular intervals. Once every other day, for instance. After two months if I do not see --"
 "You may return it for full credit," Mr. Childan said.
 "Thank you," Mr. Tagomi said. He felt better. Sometimes one must try anything, he decided. It is no disgrace. On the contrary, it is a sign of wisdom, of recognizing the situation.
 "This will calm you," Mr. Childan said. He laid out a single small silver triangle ornamented with hollow drops. Black beneath, bright and light-filled above.
 "Thank you," Mr. Tagomi said.
 By pedecab Mr. Tagomi journeyed to Portsmouth Square, a little open park on the slope above Kearny Street overlooking the police station. He seated himself on a bench in the sun. Pigeons walked along the paved paths in search of food. On other benches shabby men read the newspaper or dozed. Here and there others lay on the grass, nearly asleep.
 Bringing from his pocket the paper bag marked with the name of Mr. R. Childan's store, Mr. Tagomi sat holding the paper bag with both hands, warming himself. Then he opened the bag and lifted out his new possession for inspection in solitude, here in this little grass and path park of old men.
 He held the squiggle of silver. Reflection of the midday sun, like boxtop cereal trinket, sent-away acquired Jack Armstrong magnifying mirror. Or -- he gazed down into it. Om as the Brahmins say. Shrunk spot in which all is captured. Both, at least in hint. The size, the shape. He continued to inspect dutifully.
 Will it come, as Mr. R. Childan prophesied? Five minutes. Ten minutes. I sit as long as I can. Time, alas, will make us sell it short. What is it I hold, while there is still time?
 Forgive me, Mr. Tagomi thought in the direction of the squiggle. Pressure on us always to rise and act. Regretfully, he began to put the thing away back in its bag. One final hopeful glance -- he again scrutinized with all that he had. Like child, he told himself. Imitate the innocence and faith. On seashore, pressing randomly found shell to head. Hearing in its blabber the wisdom of the sea.
 This, with eye replacing ear. Enter me and inform what has been done, what it means, why. Compression of understanding into one finite squiggle.
 Asking too much, and so get nothing.
 "Listen," he said sotto voce to the squiggle. "Sales warranty promised much."
 If I shake it violently, like old recalcitrant watch. He did so, up and down. Or like dice in critical game. Awaken the diety inside. Peradventure he sleepeth. Or he is on a journey. Titillating heavy irony by Prophet Elijah. Or he is pursuing. Mr. Tagomi violently shook the silver squiggle up and down in his clenched fist once more. Call him louder. Again he scrutinized.
 You little thing, you are empty, he thought.
 Curse at it, he told himself. Frighten it.
 "My patience is running out," he said sotto voce.
 And what then? Fling you in the gutter? Breathe on it, shake it, breathe on it. Win me the game.
 He laughed. Addlepated involvement, here in warm sunlight. Spectacle to whoever comes along. Peeking about guiltily, now. But no one saw. Old men snoozing. Measure of relief, there.
 Tried everything, he realized. Pleaded, contemplated, threatened, philosophized at length. What else can be done?
 Could I but stay here. It is denied me. Opportunity will perhaps occur again. And yet, as W. S. Gilbert says, such an opportunity will not occur again. Is that so? I feel it to be so.
 When I was a child I thought as a child. But now I have put away childish things. Now I must seek in other realms. I must keep after this object in new ways.
 I must be scientific. Exhaust by logical analysis every entree. Systematically, in classic Aristotelian laboratory manner.
 He put his finger in his right ear, to shut off traffic and all other distracting noises. Then he tightly held the silver triangle, shellwise, to his left ear.
 No sound. No roar of simulated ocean, in actuality interior blood-motion noises -- not even that.
 Then what other sense might apprehend mystery? Hearing of no use, evidently. Mr. Tagomi shut his eyes and began fingering every bit of surface on the item. Not touch; his fingers told him nothing. Smell. He put the silver close to his nose and inhaled. Metallic faint odor, but it conveyed no meaning. Taste. Opening his mouth he sneaked the silver triangle within, popped it in like a cracker, but of course refrained from chewing. No meaning, only bitter hard cold thing.
 He again held it in his palm.
 Back at last to seeing. Highest ranking of the senses: Greek scale of priority. He turned the silver triangle each and every way; he viewed it from every extra rem standpoint.
 What do I see? he asked himself. Due to long patient painstaking study. What is clue of truth that confronts me in this object?
 Yield, he told the silver triangle. Cough up arcane secret.
 Like frog pulled from depths, he thought. Clutched in fist, given command to declare what lies below in the watery abyss. But here the frog does not even mock; it strangles silently, becomes stone or clay or mineral. Inert. Passes back to the rigid substance familiar in its tomb world.
 Metal is from the earth, he thought as he scrutinized. From below: from that realm which is the lowest, the most dense. Land of trolls and caves, dank, always dark. Yin world, in its most melancholy aspect. World of corpses, decay and collapse. Of feces. All that has died, slipping and disintegrating back down layer by layer. The daemonic world of the immutable; the time-that-was.
 And yet, in the sunlight, the silver triangle glittered. It reflected light. Fire, Mr. Tagomi thought. Not dank or dark object at all. Not heavy, weary, but pulsing with life. The high realm, aspect of yang: empyrean, ethereal. As befits work of art. Yes, that is artist's job: takes mineral rock from dark silent earth transforms it into shining light-reflecting form from sky.
 Has brought the dead to life. Corpse turned to fiery display; the past had yielded to the future.
 Which are you? he asked the silver squiggle. Dark dead yin or brilliant living yang? In his palm, the silver squiggle danced and blinded him; he squinted, seeing now only the play of fire.
 Body of yin, soul of yang. Metal and fire unified. The outer and inner; microcosmos in my palm.
 What is the space which this speaks of? Vertical ascent. To heaven. Of time? Into the light-world of the mutable. Yes, this thing has disgorged its spirit: light. And my attention is fixed; I can't look away. Spellbound by mesmerizing shimmering surface which I can no longer control. No longer free to dismiss.
 Now talk to me, he told it. Now that you have snared me. I want to hear your voice issuing from the blinding clear white light, such as we expect to see only in the Bardo Thodol afterlife existence. But I do not have to wait for death, for the decomposition of my animus as it wanders in search of a new womb. All the terrifying and beneficent deities; we will bypass them, and the smoky lights as well. And the couples in coitus. Everything except this light. I am ready to face without terror. Notice I do not blench.
 I feel the hot winds of karma driving me. Nevertheless I remain here. My training was correct: I must not shrink from the clear white light, for if I do, I will once more reenter the cycle of birth and death, never knowing freedom, never obtaining release. The veil of maya will fall once more if I --
 The light disappeared.
 He held the dull silver triangle only. Shadow had cut off the sun; Mr. Tagomi glanced up.
 Tall, blue-suited policeman standing by his bench, smiling.
 "Eh?" Mr. Tagomi said, startled.
 "I was just watching you work that puzzle." The policeman started on along the path.
 "Puzzle," Mr. Tagomi echoed. "Not a puzzle."
 "Isn't that one of those little puzzles you have to take apart? My kid has a whole lot of them. Some are hard." The policeman passed on.
 Mr. Tagomi thought, Spoiled. My chance at nirvana. Gone. Interrupted by that white barbarian Neanderthal yank. That subhuman supposing I worked a child's puerile toy.
 Rising from the bench he took a few steps unsteadily. Must calm down. Dreadful low-class jingoistic racist invectives, unworthy of me.
 Incredible unredemptive passions clashing in my breast. He made his way through the park. Keep moving, he told himself. Catharsis in motion.
 He reached periphery of park. Sidewalk, Kearny Street. Heavy noisy traffic. Mr. Tagomi halted at the curb.
 No pedecabs. He walked along the sidewalk instead; he joined the crowd. Never can get one when you need it.
 God, what is that? He stopped, gaped at hideous misshapen thing on skyline. Like nightmare of roller coaster suspended, blotting out view. Enormous construction of metal and cement in air.
 Mr. Tagomi turned to a passer-by, a thin man in rumpled suit. "What is that?" he demanded, pointing.
 The man grinned. "Awful, ain't it? That's the Embarcadero Freeway. A lot of people think it stinks up the view."
 "I never saw it before," Mr. Tagomi said.
 "You're lucky," the man said, and went on.

(Philip K. Dick: "The Man in the High Castle")

 

a quotation from "Valis"

"Two realms there are, upper and lower. The upper, derived from hyperuniverse I or Yang, Form I of Parmenides, is sentient and volitional. The lower realm, or Yin, Form II of Parmenides, is mechanical, driven by blind, efficient cause, deterministic and without intelligence, since it emanates from a dead source. In ancient times it was termed "astral determinism." We are trapped, by and large, in the lower realm, but are through the sacraments, by means of  the plasmate, extricated. Until astral determinism is broken, we are not even aware of it, so occluded are we. "The Empire never ended.""

(Philip K. Dick, Valis, 48th Tractate: Cryptica Scriptura)


 
 
 


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